What can I say? He's played the, "You can't understand so I no longer have to respond to anything you say, "card. I'm at a loss......except to point out that he has tendered no responses to what I feel were fairly reasonable arguments on my part.
8/14/2005 4:01:22 PM
It wasn't a well thought out argument. Because you acknowledged the existance of scrouge, yet at the same time said, I don't know who scrouge is.
8/14/2005 4:02:39 PM
I never denied knowing who Scrooge is or where he came from. I denied that knowing who invented the character Scrooge made me more a part of society than someone who doesn't know.[Edited on August 14, 2005 at 4:05 PM. Reason : never mind the Latin part, which you never responded to]
8/14/2005 4:05:30 PM
where o' where did I say you needed to know where the character came from?
8/14/2005 4:08:51 PM
8/14/2005 4:21:38 PM
see knowing any dickens means, knowing that there is this dude name scrouge who is an asshole.not being able to quote dickens.
8/14/2005 4:24:55 PM
Written in 1850 is the key point. The idea that latin was important in 1850 is not in dispute. That it is fundamental today is rediculous. Let us be far. In 19th century France, were they as fluent in 17th century literature as you seem to be implying we should be in 19th century literature?
8/14/2005 4:31:52 PM
8/14/2005 4:34:23 PM
Just as we are, largely. Of course, We today produce more literature in a year than the entire 17th century. So by sheer statistical probability, of course we are less familiar with 17th century writtings.
8/14/2005 4:36:57 PM
bull fucking shit we produce more literature. We may produce more written work, but that does not make it literature.
8/14/2005 4:37:46 PM
8/14/2005 4:40:14 PM
8/14/2005 4:45:31 PM
I don't abhor it. I have picked up quite a few words and phrases in my day. I just don't swing off someone's dick like the goddamn tire swing down by the river just because they speak it.There are relevant books written only in Latin? That in and of itself is hard to believe. Are these books that would pertain to most law, or just a very small part of it?
8/14/2005 4:49:33 PM
a small part of law, but in some cases that small aspect of law is extremely important.. And where did I ever say I want to fuck everyone that speaks latin. I myself do not speak latin and for that I'm pissed at myself. I've become a pedant instead of a dilettante.
8/14/2005 4:51:59 PM
I would say the best way to handle this is to just translate the fucking books into English rather than expect lawyers to learn a thoroughly deceased and largely useless language.
8/14/2005 5:34:17 PM
http://www4.ncsu.edu/~gsparson/data/opera.rm
8/15/2005 12:08:39 AM
^^because every book has been translated and every book is already known to at least someone. Seriously, when you have an idea about antiquarian books then we'll talk about that absurd notion.
8/15/2005 2:29:34 PM
Then why were you telling him he should know latin? If the book is already available in English, why should he waste his time?
8/15/2005 3:26:29 PM
8/15/2005 3:56:31 PM
^^I was being sarcastic^Because antiquarian books are sources of valuable information. Just because something hasn't been published in 150 years does not mean the value of the information is nill. You are an arogant prick who will find his in the end. Continue on your modern is better bullshit.Besides, I can think of two instances in which antiquarian books are extremely important to your personal life.[Edited on August 15, 2005 at 4:03 PM. Reason : .]
8/15/2005 3:58:40 PM
8/15/2005 4:10:20 PM
8/15/2005 4:15:23 PM
8/15/2005 5:25:51 PM
Point of information: Shakespeare is modern English.[Edited on August 15, 2005 at 5:36 PM. Reason : And Chaucer is best read in Middle English.]
8/15/2005 5:35:56 PM
8/15/2005 7:58:30 PM
^^^Well shit, when you have texts that are only found in manuscript and are locked away in a private collection and make the light of day, who do you expect to translate it? Because to you, latin shouldn't be studied by anyone because it is a waste of time since everything worthy of translation is already translated.
8/16/2005 2:57:42 PM
personally, i always preferred Shakespeare in the original Klingon
8/16/2005 3:32:24 PM
nutsmackr, you asshole, stop changing subjects. Grumpy was arguing that Grumpy has no reason to learn Latin, not that a fucking linguist that makes a living doing translations has no reason to learn latin. It is called "division of labor," we let translators learn latin, and they let us design computers. Or do you think a proficient translator should bother learning electrical and computer engineering?
8/16/2005 5:25:10 PM
If they're locked away and never make the light of day, they can't be necessitating much in the way of translation, now can they? That is to say, they must not have a shit ton of influence on the world.I never said that nobody should learn Latin. Clearly it can be important for the study of certain parts of history. What I have argued is that the utility of Latin in modern times is limited and that we shouldn't be crying over that reality. It's no longer relevant. Things fade from importance. I'm sorry, but it's true.
8/16/2005 5:26:49 PM
Yes, shallow AND pedantic
8/16/2005 7:29:43 PM
8/17/2005 12:41:12 PM
8/17/2005 1:45:46 PM
nutsmacker
8/17/2005 5:32:03 PM
It does kind of entertain me that the man lamenting the death of the dilettante calls himself "nutsmacker"
8/17/2005 5:40:36 PM
8/18/2005 1:25:06 PM
8/18/2005 2:19:36 PM
8/18/2005 2:29:05 PM
So let me get this straight. You think people read better quality books 100 years ago, but you can't quantify it. Not only that, you can't even quantify how many people could read over 100 years ago. When I ask how Dickens' sales compared to "lesser" authors of the time, you don't know. Man. You're really getting off to a good start. And your responce to my question about your anecdotal evidence?
8/18/2005 2:48:26 PM
nutsmacker,Just to sum it up for you. 1) You can't quantify anything your saying. 2) Your anecdotes are shacky at best. 3) Your only consistant argument is to compare the worst of one era to the best of another (iow: compare apples to oranges). YOU ARE FUCKING RETARDED.
8/18/2005 2:51:47 PM
well, im kinda late getting into this argument, but I think its sad that people try to specialize their knowledge to the extent that they do. I love learning, and I have a desire to learn as much about as many subjects as possible. The engineers I know...they rarely care to learn much of anything outside of their chosen field.Its sad, but I think its not going to change. People of the past had much more time on their hands to learn other things.
8/18/2005 2:52:25 PM
8/18/2005 3:04:35 PM
Socksdouche1) You like every other economist wannabe think everything is quantifiable. It's not. Do you need the fleisch-kinkade reading level of everything from a time period to be happy2) My ancecdotes provide evidence. Where as you haven't provided anything to prove that we are just as much a dilletante as the past.3) Your only argument is to demand quantified evidence when this evidence cannot be quantified.YOU ARE FUCKING RETARDED.
8/18/2005 3:22:19 PM
good god. Yes, people read 100 years ago. People read now, too. Thanks Capt. Obvious. Now what's your fucking point?And just saying Howl sucks doesn't make it suck. Please explain.And Seinfield is comedy. Would you classify Emerson as a comic? No? Then shut the fuck and make an appropriate comparison. And, yes, the fact that Teddy Roosevelt and Dickens lived in the same time period does fucking prove my point. My point was 1) they shared a historical context (the consequences of the second industrial revolution were faced in both men's lives. not ours.) 2) TR was reading at the least a recent author, which makes the anecdote irrelevant for convincing us to read older authors). THANK FUCKING YOU.[Edited on August 18, 2005 at 3:26 PM. Reason : ``]
8/18/2005 3:23:54 PM
here is some quantified evidence for you assfaceCourse Catalog from 1941 showing the plan of work for a freshman and sophomore in a)leading to the degree of bachelor of science in agriculture in one of the following fields--agricultural economics, animal production, dairy manufacturuing, entomology, field crops and plant breeding, floriculture, plant pathology, pomology, poultry science, soils, and vegetable gardening.one is required to take 39 credit hours outside of their major, not counting electives or PE. (military science was a military and world history course) Let's compare that to the current progress to degree items for a degree in poultry science because, let's compare apples to apples. Now'a'days in poultry science one nees only take 31 outside of the major, not counting electives and pe.https://www.regrec.ncsu.edu/scripts/RegRec/adadgbk.pl?curr=BS&dgr_key=11SPS%20%202036%20&title=POULTRY%20SCIENCE%20%28SCIENCE%20CONC.%29&[Edited on August 18, 2005 at 3:54 PM. Reason : .]
8/18/2005 3:51:08 PM
8/18/2005 3:54:15 PM
I suppose nutsmackr should start comparing apples to applies. So, the historical equivalent of modern television from the 19th century would be a vaudeville or ragtime show, I suspect. I believe slapstick was the common form of comedy in a vaudeville show, particularly since some of the audience couldn't speak english sufficiently to get more complex humor. From what I've learned of history, the "average man" of the 19th century was an impressive creature, clearly the better of any prior peoples, but complexity escaped them, it was a feature of the times that all men were generalists. And it is a feature of these times that most of us are no longer generalists. There is simply too much knowledge in any particular field to be passable in more than a few. Why should an employer hire a generalist when a specialist is available? From an economics standpoint this would normally be a problem because of the extreme disconnect between skills and demand inherent in a dynamic economy, but thanks to extensive infrastructure, we can move to where we are needed (possibly on the other side of the country) instead of being forced to match our skills to what is demanded, as 19th century workers were forced to do. As the old saying goes, a jack of all trades is a master of none. As such, I believe our standard of living reflects this proper matching of specialists to demand.[Edited on August 18, 2005 at 4:43 PM. Reason : .]
8/18/2005 4:40:54 PM
and loneshark misses the boattherefore, I do not even bother discussing anythign with him
8/18/2005 4:42:27 PM
Look, my ticket said 3:30, it isn't my fault the boat left at 3:40 without me on board. It's the system! We're just not as intelligent as we used to be!
8/18/2005 4:47:17 PM
nutsmacker, On what basis do you measure "contributions to poetry"? If you're talking about influencing future poets, then Ginsberg (along with other poets of the beat movement) were very influential and thus had much to contribute to poetry. If you're talking about what you like (subjective), then I'm not sure how we can measure that or why it matter. The same goes for Seinfield. Do you really think Seinfield and Chaucer are comparable? I don't. Seinfield was just silly comedy without much higher purpose. It was a show about nothing. Does that sound anything like what Chaucer was trying to do? Not to me. But really we're still faced with the question of how we can compare ANY creative work Plainly, we can see that some works are more "complex" than others (an author might have more intricate story lines or more detailed characters), but does complex mean better? Surely, we must first agree on an aesthetic standard on which to rate these works. But the same standard can't apply to everything. Seinfield never tried to be a comical allegory, so why try to rate it as such? So far the only basis you've given for comparing creative works is what you like and what you don't like. That doesn't make for a very productive discussion. It leaves us with you bitching about Stealth, while praising Dickens, as if any of them are comparable to each other. IOW: Bullshit. So I would LOVE to know, what aesthetic standard are you using to compare creative works? What is the Dilettante aesthetic?---nutsmacker's score card:1) He makes assertion that there are fewer dilettantes, but can't quantify the assertion. 2) the anecdotal evidence he provides to support his assertion falls apart under close inspection. 3) switching tracks he tries to directly compare works of each time period, but only succeeds in creating straw man comparisons. 4) when he finally tries in earnest to compare creative works, he doesn't articulate any aesthetic standard to compare creative works to. This basically leaves us cataloging what he likes and what he doesn't. TOTAL SCORE: NUTSMACKER IS FUCKING RETARDED
8/19/2005 2:29:47 AM
8/21/2005 1:22:44 PM