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Quote :

"One of the most interesting panels at SXSW Interactive 2006 was The Future of Darknets, moderated by JD Lasica. And while the concept of Darknets - communities using private subnetworks to communicate and collaborate out of view of the larger internet - is indeed fascinating, the panel was not interesting because of the intended topic. In fact, we never actually got to hear much about DarkNets, much to my disappointment, because the panel was hijacked the moment one panelist said, "Hello, my name is Kori Bernards, and I'm from the Motion Picture Association of America.""

Quote :

"The audience was filled with other examples of an industry gone crazy. One guy moved to the UK and all his DVDs stopped working because they were region-encoded (as most are). Her answer? That was in the contract you agreed to when you bought the DVD. Another guy asked why he can't just download the Sopranos. After all, he's a HBO subscriber, so he paid for it, he just happened to miss the last episode. Her answer, again, was that the time is part of the contract. My answer: Give it a couple years and HBO will be doing this, or they'll be out of business. Another audience member said she worked at a small film studio, doing clearances for copyrighted works to appear in movies (simply having a movie on in the background of another movie requires a release, at least according to the MPAA) and most of the time the artists involved all said it was fine - it was the studio lawyers who stood in the way. And that's really the problem, isn't it? There are these industries of middlemen - RIAA, MPAA - that claim to "protect artists" but what they're really protecting is themselves. Artists (and I include myself in that word) need to rise up and tell these people to go get stuffed. We can decide when a mashup is perfectly fine with us. We can decide to embrace file traders to build awareness of our work. We don't need you anymore. You're just holding us back. After all, when we allow these industry groups to frame the debate about the internet and file trading as artists versus pirates, it's a false dichotomy. No one in that angry audience in Austin wants to dupe a movie to sell it on the street. That's piracy. We just want to put movies on our hard drives and iPods, share our mix CDs with each other (just like we used to do with tapes), and mash that funny video with that cool song to produce something new, something we'll give away for free. All these acts are illegal, or at least under threat by industry groups. Meanwhile, real pirates are on the streets selling bootleg DVDs. What are these industry groups doing about that very real threat? If only they realized that artist geeks like us are exactly the kind of people who could come up with some really interesting ways to attack the real piracy problem, if only they let us do what we want with the media we buy? Until we (users, industry groups, lawyers, and politicians) finally make a clear legal and procedural distinction between copying a work for noncommercial creation of new works (like mashups or backups) and wholesale piracy for profit (like duplicating a work for the purpose of resale), we're just going to keep shouting at each other in conference rooms and newspapers, and real innovation will never get made."

3/18/2006 11:22:27 AM

didn't read it...i'm sure it's interesting, though

3/18/2006 11:24:05 AM

it's not bad...

nothing new, but kinda funny to actually see the bullshit they spew at these events

3/18/2006 11:25:29 AM

down with MPAA/RIAA

3/19/2006 11:39:52 AM

waaaahh!!! i want my napster and free music back waaaahh!!!

3/19/2006 8:40:00 PM